Friends (TV Series 1994–2004) cast and crew credits, including actors, actresses, directors, writers and more. The ninth season of Friends, an American sitcom created by David Crane and Marta Kauffman, premiered on NBC on September 26, 2002. Friends was produced by Bright. Friends Music Questions. Order full seasons and other Friends videos. It is organized by episode number. According to SAG, this version was performed by Jimmy Haas on lead vocals, Ron Hicklin of the Ron Hicklin Singers, Stan Farber, Jerry Whitman, and Gary Garrett on backing vocals, and studio musicians.- -- -- -- -- -. And of course, this shouldn't be confused with the original opening theme song of Happy Days, which in early seasons was . You're no God's gift to women,that's all in your head. You are just a buttmunch(No one likes a buttmunch)And you're also bad in bed! This song has been performed by many artists. Singh, of the group . In The One At The Beach. Phoebe finds a photo on her birth- mother's fridge that she's convinced it her father. However, it turns. Chuck, to whom her birth- mother recently sold a house. Unfortunately. that footage was not included in the original US broadcast of this episode, so I don't have that scene. But others have confirmed. Roger Miller's England Swings. Return to Questions. Before the wedding, when Rachel first arrived and saw Ross and Emily kissing, there was some piano music playing. That was a guitar variation on the Friends Theme Song, . In syndication (reruns), where they only do one 3. But in. that instance, a different song was used: Shake Your Groove Thing, by . This song is on the . However, I'm told that the version used. Tony Bennett. It is on the album, . It's on Eve's album, . It is on the album, . Deeds Soundtrack. However, different music was used. I checked on that.. We're so glad you could attend, Come Inside, Come Inside.. Proceed at your risk! The day many Jane the Virgin fans — and executive producer Jennie Urman — feared is here. During Monday night’s game- changing episode, a popular theory came true when the titular heroine’s hubby Michael (played by Brett Dier) died in the middle of his LSAT test. And all those ominous hints from the narrator didn’t do anything to help ease the shock as the former detective’s heart gave out due to complications from his earlier gunshot wound.“I’ve been dreading it,” Urman says of the twist. Part of the reason I put that line in Episode 1. It’s devastating. TVLINE ? This is a telenovela? Whether it’s in real- time or flashbacks, I can’t say. How far in advance did you warn him this was coming? I sat down with Brett first, and then all of the other cast members separately, pretty close to after we filmed . It’s just a testament to Brett . Not one did not cry, because we just love Brett so much. And we love Jane and Michael. It was hard. He is incredible. It’s a testament to how wonderful he was that Michael hung on as long as he did. TVLINE . Why do it in the middle of the season? For a few reasons. I felt like I gave a bunch of warnings, obviously, about what would happen to Michael. So the surprise, of course, is when. You would expect it more in a season finale. It was an answer to the question we posed in the Season 3 premiere: “How does knowing the end affect the journey? And some of you know how this will end.” I wanted a lot of Michael and Jane firsts to happen. That’s another reason. I felt like there was a bunch of stories I wanted to tell about them as newlyweds before this happened. For us, too, it’s nice to go into the next episode very quickly so you can get your bearings and feel how the show has changed, how we get our lightness back. Also, I wouldn’t want to go into ? I don’t want to kill Michael”? Definitely. I would ask the writers, “Are we sure? Are we sure? Are we sure?” We examined it, we reexamined it. We talked about all the other possibilities and what we could do to still achieve the things I wanted to achieve subsequent to this event. We would go around and around and then arrive back at the same thing. We definitely ! Maybe he meant he’ll love her when he’s 9. All the ways and the things that could justify it, we thought about. It has so much to do with the long arcs of the series. It’s a telenovela, and it’s built around these sort of cataclysmic events. One was in the pilot, and this is the one that, I hope, is around the midpoint. It felt like the strongest choice for our story and our storytelling and for the journey I want Jane to go on as a character and her evolution. TVLINE . What happens when you had that, and you don’t anymore? How can she get back her light and hope, and what does it mean to her? How did all of the dreams that she originally had change as a result of this? I wanted to tell a big story. Part of it is because this is a soap, and . Part of it is personal, experiencing loss in life and wanting to mine how one moves on and remains hopeful and optimistic. TVLINE . What is the timeline of the show going forward? We’re sort of in a loophole. We’re still in the present, but it’s three years forward. I feel like we took a trip through the Tiago hole, maybe. I want our show to stay in the present because of our relationship to current events and issues that have come up now, and that was not always the intention. But in talking to the room, especially after the election and feeling like our show has a specific point of view on that — and also, because there’s magical realism, and our show is always reality- adjacent — we decided to keep the show three years ahead, yet they’re still in the present . Jane has a four- and- a- half- year- old, Petra has four- year- olds. It’s a full three- year time jump, but we still want to be able to comment on what’s going on in the world, so you have to take a little bit of a leap with that. TVLINE ? How different are they now? It’s great, and I will say the next episode is one of my favorites that we’ve done. Three years has allowed Jane to grow and heal, and the pain of Michael’s death is not going to subsume our narrative or our comedy. We can’t live in just how dark that was. But we can visit it a lot, and we do flash back to what happened right after he died, and a month after he died. We’ll be filling in holes about how she recovered, and how she started to push herself forward, as well as everyone else. But what the three- year jump does that I’m most excited about is that every single character is in a different place and has had a lot of experiences that are surprising and a lot of different tensions and relationships. It gives us a refresher and allows us to move the show forward with a lot of surprises and excitement and fun. Jane the Virgin fans, are you in mourning? Hit the comments with your thoughts on the episode!
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Septembre 2017
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